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The album, described by Springfield, as 20 new songs stylistically somewhere between “Working Class Dog” and “Tao”. Sonically, the album sees Springfield returning to his first love of guitar-based power pop and keyboards, while lyrically featuring his favored subjects of love, sex and death. “My goal was solid three-minute tunes with the biggest hooks I could come up with.” As Springfield explains, “the album is called ‘Automatic’ because the songs just kind of came out on their own."